Summer Storm

A few scenes from an intense summer rain storm in New York City. Shot as I walked from Chelsea to Union Square.

34th Street, NYC

Shot on a short walk from 8th to 6th Avenue, and in the subway at Herald Square.

One World Trade Center

 One World Trade Center, aka the Freedom Tower

Here’s a vertical pano of the still-under-construction World Trade Center building that I shot a few weeks ago. I had rented a 100-400mm zoom lens from Adorama over the weekend, and wanted to get in a few last shots before returning it, so I could get the most possible bang for my buck out of it. I decided that a good way to do that would be to get up early and walk across the Brooklyn Bridge before work, and get some shots that I normally wouldn’t be able to with my own stable of lenses.

This shot is a vertical panorama stitched together from three shots, and at full size, it’s a whopping 3403 x 9236 pixels. I scaled it down to a more respectable 6000 pixels tall before uploading it to Flickr, but even at that size you can still see some construction workers if you look closely.

The development has had its share of problems (consider that the Burj Khalifa was started after and completed years sooner than One WTC), but I think it’s shaping up to be a gorgeous building. It recently achieved the milestone of surpassing the Empire State Building in height, becoming the tallest building in New York City in the process, and will ultimately top out at a very symbolic 1776 feet when construction is complete.

The Shelby

Classic ‘67 Shelby GT500

Classic ‘67 Shelby GT500 

I spent some time visiting a friend of mine up in Massachussetts on Memorial Day Weekend. This is his baby, a ‘67 Shelby Cobra GT500, much like the one Nic Cage drove in Gone in 60 Seconds:

More photos over on 500px.

In the Studio with George Garzone and Esperanza Spalding

A week or so ago, a good friend of mine asked me to fill in for him on a photo shoot that he couldn’t make due to a conflict. The gig was for Jody Espina, reknowned sax player and maker of mouthpieces for saxophones and clarinets at JodyZazz.com. My job was to shoot a studio session with jazz saxophonist George Garzone, 2011 Best New Artist Grammy-winner Esperanza Spalding, and pianist-extraordinaire Leo Genovese. I was tasked with getting some casual behind-the-scenes shots of the artists as they interacted in the studio, and to make a few posed portraits as well.

I did my best to be as unobtrusive as possible, and to capture the interactions between the artists and engineers as they recorded several tracks for an upcoming album. Being absolutely ignorant about the nuances of jazz music, everything sounded equally incredible to me, but I watched them communicate their approval of specific phrases (that’s a word, right?) of the music either with subtle glances, nods or gestures — or sometimes with outright exclamations. It was as though they could hear some coded message in the music, or like watching people communicate in a secret language that only they know. It really is a pleasure to watch talented people work their craft.

The lighting in the studio was tricky, and I tried to make do with available light as much as possible, augmented in some spots by my Gary Fong Lightsphere. Towards the end of the shoot, I took advantage of a pause between recording sessions to set up my Westcott Apollo 28” softbox and 580EX II, and with that simple setup, was able to make a few portraits of George that I’m really pleased with.

Again, it was a great experience. The musicians were very laid back and, cool (as I guess you’d expect jazz musicians to be), and they treated me very warmly. The recording session took place at Systems Two Studio, a family-owned business that’s been operating in Brooklyn for the past 30-plus years. The gold records and Grammy award that line the walls are a testament to the long history of the establishment, spanning a multitude of genres from classical to heavy metal, and even movie soundtracks.

This shoot was very different from the kinds of shoots I typically do with families and kids. There are definitely things I’d do differently next time, but it was a great learning experience for me, and I look forward to being able to do a shoot like this again soon.